人物头像-素描基础教程_PDF下载[97MB-百度云]张恒国

本书特色

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素描头像作为整个素描基础训练中的一个重要环节，对于学习美术的学生有着十分重要的意义。素描头像不仅是素描造型学习中不可缺少的组成部分，也是高等艺术院校考查学生动手能力的重要手段之一。因此，如何学好画素描头像，在素描基础的学习过程中就显得尤为重要。

本书图文并茂地介绍了人物头部结构，骨骼肌肉以及五官的画法，并通过青年头像画法、中年头像画法和老年头像画法等不同章节，详细展示了不同年龄段真人头像的画法。本书内容丰富，结构安排合理，由浅入深、循序渐进，通过大量精选的典型实例，系统讲解了素描头像的表现技法，着重阐述了素描头像的绘画流程。

本书紧扣“基础”和“实用”两大基点，是美术爱好者学习素描的入门教材，同时也可以作为美术相关专业的教材，以及准备跨入艺术院校的学生学习使用。

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内容简介

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本书是一本系统介绍人物头像的基础教程。是张恒国老师素描基础教程畅销书的升级版。全书内容丰富，结构安排合理，通过大量的案例，分步骤介绍人物头像的知识、技法。紧扣“基础”和“实用”两大基础点，是学习美术过程中的**教材。

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作者简介

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张恒国，美术专业出身，设计专业毕业，设计老师，热爱美术设计行业，出版多部美术类、设计类图书。

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**章人物肖像概述············································1 1.人物肖像························································1 2.头部写生要点·················································1 3.人物头像写生步骤··········································1 4.头部写生方法·················································1 第二章人物头部结构············································2 1.头部比例·······················································2 2.头部形体·······················································2 3.头部骨骼·······················································2 4.头部肌肉·······················································3 5.头部的透视····················································4 6.颈部结构·······················································4 第三章五官的结构···············································5 1.眼睛的结构····················································5 2.鼻子的结构····················································5 3.嘴巴的结构···················································6 4.耳朵结构······················································6 5.五官组合的画法············································7 第四章五官的画法··············································8 1.眼睛的画法···················································8 2.鼻子的画法···················································9 3.嘴巴的画法··················································10 4.耳朵的画法···················································11 第五章青年头像写生··········································12 1.女孩肖像的画法············································12 2.男青年正面的画法········································14 3.女青年半侧面的画法····································16 4.男孩肖像的画法···········································18 5.男青年半侧面的画法····································20 6.女孩侧面的画法···········································22 7.男青年侧面的画法·······································24 8.男青年正面的画法·······································26 9.女青年半侧面的画法····································28 10.男青年侧面的画法······································30 11.男青年半侧面的画法··································32 12.男青年侧面的画法·····································34 第六章中老年头像写生······································36 1.男中年侧面的画法·······································36 2.男中年半侧面的画法····································38 3.女中年正面的画法·······································40 4.男中年侧面的画法·······································42 5.女中年正面的画法·······································44 6.男中年半侧面的画法···································46 7.男中年半侧面的画法····································48 8.女中年侧面的画法·······································50 9.男中年半侧面的画法····································52 10.男中年正面的画法······································54 第七章老年头像写生··········································56 1.老年头部特点··············································56 2.男老年半侧面的画法····································56 3.男老年半侧面的画法····································58 4.男老年半侧面的画法····································60 5.女老年半侧面的画法····································62 6.男老年半侧面的画法·····································64 7.男老年半侧面的画法····································66 8.男老年侧面的画法·······································68 9.男老年半侧面的画法····································70 第八章头像写生作品范例···································72